A ticker: 24 fixed slots, each letter swapped whole between the current logo, Foundry Wilson and Frutiger, like a split-flap board. Year one never settles. The static mark is one mixed frame, counted in its record.

A poster builder that records everything you do, with its time. The poster keeps the dashed trail of where each thing has been and prints its own log at the foot. Play it back as it happened, or as ten seconds.

The lobby again, with flat vinyl that keeps its setting-out on the wall: level datum, centre lines (the door’s, over a door), dimensions, crop marks, registration. Setting out, as installed, or tidied.

Three screen studies: the mark set out line by line before its letters tick in; every version of the mark stacked like proofs; and a real screening set line by line with its running time added up in the margin.

Four A5 covers with spines, each with its working in: the mark and its construction, every version stacked like proofs, the festival’s screen time added up day by day, and the cover as a printer’s proof.